If you’re a writer you know the feeling of crushing procrastination. You love your story but there’s a certain roadblock you can’t quite wrap your head around. Why does your antagonist take this action if what he really wants is this? Why doesn’t the protagonist make the reasonable decision to contact the authorities and instead take matters into their own hands? The lists of rock-and-a-hard place choices is endless.
Well I’m finding out swiftly that goes the same for video editing. There are two action sequences in the short I’m editing (if we can even call them that). I already spent my entire Sunday afternoon cleaning up a simple sequence that features me unclasping handcuffs, unlocking a latch, picking up a rifle, and entering a cell room. As the week progressed I moved deeper into the scene where I’ve met my next major sequence obstacles.
My scene partner looks at the piece of jewelry in his hand, continues on with his dialogue, then hurls it into the cell wall and flees the cell. That’s it, it sounds so simple (and maybe it should be) but it’s turned out to be the crux of my scene. We have multiple takes of the same sequence, but none of the pieces seem to fit together. He pulls out and looks at the jewelry at different times. He practically jogs out of the cell after distracting me. And I am slow to flinch and grab for the jewelry.
It amazes me how such a simple action can make my scene look so f*king stupid. You remember The Office, when Michael Scott shows the James Bond type movie to his coworkers and they all laugh at him? Yeah, this is what that feels like. Funny enough, my only goal right now when I make a short is to keep it from looking like some teenagers put it together on one boring afternoon with an Iphone.
Anyways, thought I’d share my bullshit with you before I get off work and try to figure this sucker out. I’m messing around with different editing effects on Adobe pro premiere, such as zoom in/out and slow motion/speed up. Some of them look really good. An issue with slow-mo is I shot at 30 frames per second, when it appears much better if you shoot at 60 fps for that. When I decided to start directing, I made it a goal to let the story come first. I’ve never seen a film where insane visual effects improved the emotional impact of the story, so I’m trying not to get too invested in that aspect of the process. Anyway, thanks for listening to my complaint.